All posts in Brookline

Immigrations Stories in Full Frame: Collaborative 360/VR Filmmaking

Collaborative Immigration Project

We’re building a national collaboration project around 360 filmmaking, immersive journalism, and community storytelling.

Join our cohort to learn, share, and create a 360/VR documentary project on “Re-imaging Migration” together over the next year, as well as a create traditional media content for our local, regional and national networks.

To Apply:

Please email info@brooklineinteractive.org with the following information:

  • Contact info for applicants
  • A description of your work and your organization (media center, news, library, arts org, etc)
  • Your interest in 360 video and immigration stories in your community
  • Capacity: Describe the technical skills and interest of your team, storytelling, and journalism, as well as describing the immigration stories that need to be shared from your community.
  • Describe a current collaboration you participate in and your experience in it. Why do you wish to collaborate with our project?
  • Application date is September 7th, 2017.

We’ll begin our work together in mid-October through the summer of 2018.

Requirements: Team collaborative calls monthly to share successes, challenges, and opportunities, educational webinars (optional), and training/tips on 360 filmmaking.

We’ll provide a 360 camera, training on 360 filmmaking, and on VR/AR technologies, and coordinate editing and submission the final piece to film festivals and promote the work of the collaborative, locally, regionally and nationally.

We hope to together create a template for a strong immersive news/content sharing network, engaged communities, training programs, and collaborative, community-based VR projects.

We hope that we’ll find some best practices for how to work together as a national cohort group, developing our methods, techniques, strategies, funding, and distribution to create social impact in the area of immersive, empathetic immigration stories.

Hopes & Dreams 2017: A Community Storytelling Project in Virtual Reality

(Brookline, Mass., June 1st , 2017) The first publicly-funded virtual reality lab in the U.S. has launched a participatory virtual reality (VR) campaign titled Hopes & Dreams. The project allows viewers to access community-based stories inside a virtual reality headset, on the web and via mobile.

One goal of the Public VR Lab and this project is to reduce the barriers to entry and show that virtual reality content creation can be easily created and shared on 3D web sites using WebVR and the programming language A-Frame, an open source tool created by Mozilla.

Kathy Bisbee, co-founder of the Public VR Lab, said that the accessibility to mass media, and gaining access to equipment and training are issues that traditional community media and VR share, “The Hopes & Dreams project and WebVR help lower the barriers to entry in the virtual reality (VR) and augmented reality (AR) space bringing new creators and storytellers into our community media centers to use our 360 cameras, and take classes in mixed reality content creation.”

“VR/AR is still in its nascent stages, but it’s growing fast. Many creators and storytellers don’t have the technical tools or the new skills required for this new industry,” citing the need for public accessibility to be part of the VR conversation.“

Nir Darom, BIG’s lead creative designer shared how the storytelling works in VR: “In the Hopes and Dreams project we wanted to let viewers feel as though they were right there, inside the circle of people sharing their hopes and dreams. Once you’re inside the circle, whoever you visually “click on” begins talking. This immediacy is what makes VR such a great documentary tool.”

When Fasility’s co-founders heard about the Public VR Lab’s mission, they knew WebVR and A-Frame would be a natural fit. “WebVR has the power to transform human storytelling,” said Kathy Trogolo, Fasility’s CEO. “Creators and storytellers are sharing something precious. Thanks to VR, their words and emotions are almost as impactful as they would be in person; plus, the interactive experience allows the viewer to pause and reflect on the content more deeply. The Public VR Lab and the Hopes & Dreams project is a perfect match with our mission to empower authors to create 3D immersive and interactive webspaces.”

Top five reasons WebVR is a key to the future of accessibility in VR/AR

  1. Works on the smartphone you already have in your hand
  2. Anyone can be an author – no expensive software or hardware needed
  3. Incorporates browser’s built-in accessibility features
  4. Works across mobile, desktop, and VR equipment like HTC Vive and Oculus Rift
  5. No app store!

Learn more about using WebVR to create virtual reality content at the free Boston Meetup at the Public VR Lab on June 8th, 2017 in Brookline, MA. Register here: https://www.eventbrite.com/e/web-vr-and-you-tickets-34548544627

To view the Hopes and Dreams Virtual Reality project, visit the site below: http://brooklineinteractive.org/had

About the Public VR Lab

@PublicVRLab

www.publicvrlab.com

Over the past year the Lab has demoed over 90 virtual reality experiences at senior and teen centers, offered free bi-weekly VR sessions at its Boston-area labs, curated interactive content for film festivals, launched a VR Academy with free and low-cost classes, organized a regional virtual reality hackathon focused on climate change, and created the first private-public partnership for two location-based augmented reality community storytelling projects.  

In its second year, the Lab is building on its long tradition of public access television, to provide increased accessibility and digital inclusion with an immersive media grant program, and teaching specialized classes at their low-cost VR Academy to support the production of experiential storytelling, immersive journalism, storytelling in games, and new forms of artistic expression in the public sphere.

About Fasility

@fasility_vr

http://fasility.com/

Fasility is a WebVR consultancy focused on education and user empowerment. Fasility helps their clients create web-based VR experiences that are easy to navigate, impactful, and play back on desktop, cardboard, and high-end VR devices. Established in 2016, Fasility prioritizes design, human factors, and interoperability to reach broad and inclusive audiences. Through studio projects and customized training, Fasility is bringing the power of VR to everyday content creators.

What Do You Want to Create at the Public VR Lab?

We need your help in developing the Public VR Lab! Click here to fill out our survey and earn a chance to win an Eco Dot or win a free Public VR Lab membership!

Thanks for your help in developing the Public VR Lab! Become a member and make amazing immersive media!

2017 VR Ecohack Highlight Reel

First Augmented Reality Location-Based Storytelling Project Launches about Boston Marathon Memories  

Last week the Brookline Hub wrote a story about our cutting-edge Boston Marathon Moments project, a collaboration to gather and share community stories in augmented reality (AR) with Traces, a startup founded by London-based neuroscientist, Beau Lotto. Read the story here:

http://brookline.wickedlocal.com/article/20160526/NEWS/160527132
Runners and spectators can add their own stories before, during, or after Marathon Monday through the Traces app, found at Traces.io. Along the marathon route on Beacon Street, near Coolidge Corner and Washington Square, spectators and visitors can use the app to view the stories floating through the air along Beacon Street, waiting to be discovered, caught, and read/watched.

BIG is partnering with Traces to create original local content to be placed around Brookline and the surrounding communities in the app, which community members can then view. Bisbee is interested in sharing and expanding this project, hoping next year to have each town along the marathon route involved in creating and sharing their stories along the Boston Marathon miles through their towns. Initially, this project will focus on the Boston Marathon route as it winds through two miles of Beacon Street in Brookline.

[Above: Our favorite Brookline runner’s Marathon Moment (so far!) that will be shared in augmented reality (AR) through the Traces app.]

To participate through the production studios at BIG, one can sign up to come in to BIG on a Tuesday evening or Wednesday afternoon to briefly talk about their marathon memories, which could range from a yearly tradition, standout memory, or even their thoughts on this famous event. Participating will take no more than 30 minutes. BIG will professionally film, edit, and produce a brief video for each participant, and then place their story along the marathon route in Brookline. Alternatively, anyone in the Boston area and on Marathon Monday can add stories directly through the Traces.io app to the “Marathon Moments” storytelling campaign.

To learn more and sign up for a time to film your marathon moment or to learn how to use the Augmented Reality app, please visit https://brooklineinteractive.org/marathon-moments/. For questions, please contact Erin Kinney at erin at brooklineinteractive.org.

 

“Help us, Ecohackers, you’re our only hope.” VR Eco Hack 2017

[Above: Co-founder of the Public VR Lab, Kathy Bisbee, transforms into a Princess Leia hologram to promote the first ever VR Ecohack.]

Join us for the VR EcoHack, a regional hackathon in Brookline, MA on April 21-23rd, 2017 where teams of students and adults can create climate change content in virtual reality, augmented reality and 360 video.

Sign up here: https://www.eventbrite.com/e/vr-ecohack-hacking-the-future-in-vr-ar-360-tickets-32803656620?aff=es2

We’ll have lesson plans from educators with a focus on science and media literacy that attendees can follow to develop content, and mentors and volunteers will be available all weekend to help inspire and guide teams.

Bring a formed team or meet new teammates at this hackathon to create and test your stories and games on multiple headsets, including HTC VIVEs, Hololens, Oculus, PSVR, Samsung Gear, and more.

Use the Public VR Lab’s 360 cameras, computer labs, television studios, and 3D asset libraries to create your team’s content. Food, fun and ample caffeine. Cash and awesome equipment prizes will be provided in all three categories. [Above: *free Vr EcoHack stickers to all!]

Participants over 13 and of all levels of VR, AR and 360 experience are encouraged to sign up.

NEW TO VR? If you’re new to VR, we welcome you to sign up for a FREE week-long pre-bootcamp beginning on Tuesday, April 18 through Friday, April 21st to help you learn new skills in 3D object creation, 360 video, Unity, VR illustration tools, Simmetri, and learn the basics of Aframe to create content in Web VR.

Please sign up directly on our web site linked here for the VR bootcamp.

Read more about the Hackathon at www.vrecohack.com or sign up!

Thanks to the VR EcoHack partners: Brookline Interactive Group, The Public VR Lab, Boston VR, Teach for America, Wayfair, Fasility, VR Doodler, Mass Media Literacy, Traces.io, LearnLaunch, VR at MIT, the Brookline Public Schools, Lifeliqe, Simmetri, VR- Before It’s Too Late, the VR/AR Association, ROTU, and the Transformative Culture Project.

 

FRONTLINE’s VR Team to Speak at the First Public VR Lab Meetup in Brookline

Brookline Interactive Group (BIG) is hosting the first ever Public VR Lab Meetup event, and is thrilled to announce that FRONTLINE’s Virtual Reality team will be speaking at at this event. This event will take place on Thursday, August 4th, 2016 from 5:30-9:00 p.m. at BIG’s innovative community media space at 46 Tappan St in Brookline.

At this event, the FRONTLINE team will speak about their VR production process and, for one night only at the event, share some of their immersive journalism projects. FRONTLINE Series coordinating producer Carla Borras and production assistant Kenzie Audette will talk about FRONTLINE’s foray into virtual reality, their virtual reality processes, and some of the lessons they have learned along the way.

They will also share behind the scene stories from the filmmakers, some of the challenges FRONTLINE has faced pioneering high-end VR journalism, which include Night of the Storm, Return to Chernobyl, On the Brink of Famine, and Ebola Outbreak pieces, and tips for creating VR films.

Brookline Interactive Group (BIG) is the organizer and co-sponsor of this event, along with Northampton Community Television, who are the founders of the Public VR Lab. The Lab is a collaborative effort to facilitate a public dialogue around new VR-related technologies, and support the community creation of 360, virtual and augmented content, access to tools and headsets, and socially-relevant and locally-focused VR experiences. BIG and NCTV have launched accessibility and literacy initiatives in VR at their community media centers in western Mass. See more about their accessibility and literacy initiative in VR at: http://publicvrlab.com/.

In addition to FRONTLINE’s presentation, this event provides an exclusive opportunity for attendees to demo and experience FRONTLINE’s immersive journalism project on BIG and NCTV’s multiple HTC VIVE VR headsets and controllers. The event will also feature conversations about the future of the public Commons in VR, ample refreshments, and the opportunity to try other gaming and story-focused VR experiences.

All VR enthusiasts are encouraged to sign up for the Public VR Lab meetup group and register to attend this event. As spots are limited, BIG recommends attendees sign up early. Meetup members may register at: http://www.meetup.com/The-Public-VR-Lab/events/232287760/ or at BIG’s eventbrite link: https://www.eventbrite.com/e/public-vr-lab-meetup-launch-tickets-26547053953

For questions about the August 4th Public VR Lab meetup event, please contact Kathy Bisbee, Executive Director of BIG, at kathy@brooklineinteractive.org.

The Public VR Lab is a collaborative effort to facilitate a public dialogue around new VR-related technologies, and support the community creation of 360, virtual and augmented content, access to tools and headsets, and socially-relevant and locally-focused VR experiences. Brookline Interactive Group (BIG) and Northampton Community Television (NCTV) launched this VR accessibility and literacy initiative in Spring of 2016 at their community media centers in Northampton and Brookline, MA. www.publicvrlab.com

About Brookline Interactive Group (BIG):

Brookline Interactive Group (BIG) is an integrated media and technology education center and a community media hub for Brookline, MA. BIG provides access to innovative media-making tools, facilitates diverse community dialogue, incubates hyperlocal storytelling, arts, media literacy and technology projects, and serves over 500 youth annually. BIG offers extensive multimedia training, collaboratively produces local content, and provides low-cost professional media services to non-profit organizations, education partners, businesses, and to local government.

About Northampton Community Television (NCTV)

Northampton Community Television is a community media arts center whose mission is to serve as a model organization to enable expression of all kinds across mediums, providing resources and programming and educational opportunities to the community through all means technologically available. We are independent hyperlocal media. We are a physical public makerspace. We are a legal street art multimedia wall. We are a storytelling hub. We are an economic development organization. We provide opportunities for voices that do not have other opportunities. We provide free services to local nonprofit organizations and the community and tools for the professional multimedia community.


Photo: “Razer OSVR Open-Source Virtual Reality for Gaming” by Maurizio Pesce via Flickr. Licensed under CC BY 2.0

Brookline Interactive Group Brings Virtual Reality to Town – Wicked Local

First came radio, then television, then the internet. The next big thing to shake up the way people consume media may be virtual reality, according to a growing chorus of media experts.
“I think VR is as big as the internet,” said Kathy Bisbee, Brookline Interactive Group’s executive director.

Community Media’s Role in Literacy and Accessibility is Critical in VR

Two Massachusetts nonprofit innovators, Northampton Community Television (NCTV) and Brookline Interactive Group (BIG), are partnering to forge new models of public media in the United States by adding Virtual Reality, or VR, into their community media toolkits.

“The age of virtual reality (VR) is here, and the technology looks poised to change the way stories are told and consumed,” reflected Al Williams, executive director at NCTV.  While VR technology is in its nascent stages and still only has low levels of consumer awareness and limited access by the general public, it has been the recent talk of the technology, film, gaming, journalism and storytelling worlds.

Over the past two weeks NCTV and BIG began offering free VR demos, both for the gaming and storytelling aspects of VR, using both the Samsung and HTC VIVE headsets and controllers, which only recently shipped and are the first headsets with a volumetric design.

“It’s been incredibly insightful to watch how people use and react to this technology, and we have been documenting the reactions of some first-time users,” said Williams, who captured his mother testing out the system for the first time. “Fantastic!” she exclaimed.

Entities like the New York Times, Frontline, and Sony Playstation have been growing programs to support and develop VR content, which has the potential to be the most immersive and empathetic form of communication developed to date. Want to tell a story about a Syrian refugee camp? Experience a rare, endangered rhinoceros? Feel the movement of the ocean as dolphins swim around you? Or work with revolutionary 3D drawing tools? VR is the it technology of the day, and perhaps of the future.

But as this new technology unfolds, who will provide the public unfettered access to these powerful creative tools and assure responsible and accessible use?

With most forms of media, corporate entities have had the first access to expensive, new forms of technology, designed to reach audiences with new, captivating methods.  “Unfortunately,” said Kathy Bisbee, executive director of BIG, “in the case of VR, these same corporations are going to be funding and controlling most of the early VR content, and thus are determining what kinds of content the public can create, consume and digest in this new medium. Only recently is the price of VR camera equipment becoming more affordable, and by the holidays, many families will own a VR headset. We should be mindful of this new source of screen time, and develop methodologies to think critically, use it wisely, and deconstruct these messages and a new version of ‘reality’ in a new content format that seems so convincingly real.”

Northampton High School student Zev Seltzer uses the HTC Vive.

Bisbee said that from her research and experience with the new technology, “VR can powerfully manipulate how we see the world, real or not, and it can manipulate how we make sense of it. All of the research shows that it can profoundly affect and change how we feel about others and ourselves. So there’s an incredible opportunity to impact people positively through immersive storytelling in VR, as well as an important opportunity to educate, inform and deconstruct messages and redefine our sense of reality.”

Williams added that the same accessibility issues exist for VR as have in the past for new technologies and media tools. “At best, large public gatekeepers have acted as public media institutes that act as proxies for the public, without actually providing the public access to those tools,” citing the need for public accessibility to be part of the VR conversation.

Northampton Community Television (NCTV) and Brookline Interactive Group (BIG), two community media centers in Massachusetts, are looking to change that dynamic.

Already armed with early HTC Vive VR systems to provide the public with opportunities to experience and view VR content, these media centers are aiming to understand and educate the public on the possible ramifications of media literacy in virtual reality, which they have coined “virtual literacy.” These next generation public access television nonprofits seek to educate, inform, and provide a new kind of accessibility in the newest medium now available to and by the community.

Both organizations are curating educational and experiential content to demo for free to the community, as well as developing community viewing through libraries, at senior centers, and to after school and summer programs that will provide access to local residents in western Mass and near Boston. Their centers will also begin teaching immersive storytelling in 360 video and in VR, and in late 2016 will begin offering production services, virtual literacy curriculum, classes, and access to the “virtual commons.”

“VR is the next generation of the public Commons,” said Bisbee, “VR is both a literal virtual commons that we have to ensure will be accessible to the public in VR and a real physical space at our media centers.”

In the works in 2016, the new VR-oriented community media centers are laying the groundwork for programs to support the production of experiential storytelling, immersive journalism, storytelling in games, and new forms of artistic expression in the public sphere.

“We want to ensure that the public is a partner, not just a blind virtual consumer, in this emerging communication medium by supporting virtual literacy, public access to the technology, and best practices in its use,” shared Williams about their collaborative initiative. BIG and NCTV will together roll out curriculum, public demonstrations, and production and literacy training programs throughout the summer and fall.

NCTV is currently offering public demos of the HTC Vive volumetric VR system at their facilities on Tuesdays from 6-7pm, and Wednesdays and Fridays from 2-3pm.

More info about this VR community initiative is available at: www.publicVRlab.com.


Featured image by Maurizio Pesce via Flickr under CC BY 2.0.